Gallery News

November 6, 2016

Depending on where you stand when you view them, Kevin Muente’s landscapes can be two different paintings.  When seen from a distance, they initially appear to be works of almost photographic realism.  When you get close to the paintings and notice his finely detailed brush strokes, the formal composition of the work dissolves.  Forest trees and undergrowth, flowing water, fields of snow, twilight sky become abstracted lines, forms, and colors.  It turns out the paintings actually exist somewhere between these two extremes.  The fluctuating qua...

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